ARRI CSS
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TRINITY
TRINITY is the first hybrid camera stabilizer that combines classic mechanical stabilization with advanced active electronic stabilization, provided via 32-bit ARM-based gimbal technology. This combination results in five axes of control and enables uniquely fluid, wide-ranging, and precisely controlled movements for unrestricted shooting and total creative freedom.
New angles for the operator and new storytelling options for the director and cinematographer are possible with TRINITY. By inverting the post, the camera can be moved from low mode to high mode during a shot; using the joystick-controlled, fully stabilized tilt axis to look up or down during this motion is also possible, so a low angle can smoothly transition into an over-the-shoulder shot. By holding the post at 45 degrees and twisting it left or right, the camera can even look around corners, whether in low or high mode. Additional stabilization in the roll axis permits the use of telephoto lenses. Extraordinary new shots, angles, and movements are achievable when TRINITY is used in its fully stabilized mode. For situations that call for a more traditional operating style, TRINITY can be switched into a locked mode in which the tilt axis is connected directly to the post in the traditional manner.TRINITY is the first hybrid camera stabilizer that combines classic mechanical stabilization with advanced active electronic stabilization, provided via 32-bit ARM-based gimbal technology. This combination results in five axes of control and enables uniquely fluid, wide-ranging, and precisely controlled movements for unrestricted shooting and total creative freedom.
New angles for the operator and new storytelling options for the director and cinematographer are possible with TRINITY. By inverting the post, the camera can be moved from low mode to high mode during a shot; using the joystick-controlled, fully stabilized tilt axis to look up or down during this motion is also possible, so a low angle can smoothly transition into an over-the-shoulder shot. By holding the post at 45 degrees and twisting it left or right, the camera can even look around corners, whether in low or high mode. Additional stabilization in the roll axis permits the use of telephoto lenses. Extraordinary new shots, angles, and movements are achievable when TRINITY is used in its fully stabilized mode. For situations that call for a more traditional operating style, TRINITY can be switched into a locked mode in which the tilt axis is connected directly to the post in the traditional manner.
Features
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artemis
ARRI's artemis Cine Broadcast and EFP HD are highly modular and upgradable mechanical stabilizers. Available with a wide range of different ARRI CSS components and accessories, they cover the entire spectrum of today's film and television requirements.
The artemis Cine Broadcast is the perfect cross-over solution for high-end digital cinematography and broadcast productions. The modular and future-proof design of Cine Broadcast combines all the features needed to operate successfully in both worlds.
The artemis EFP HD is made to support not only todays HD broadcast cameras in live TV and sport but also in digital cinematography with the most professional quality possible. High capacity wiring, hot swap technology, HD SDI video, and tally support guarantee a perfect workflow in a future-proof and modular design.
Stabilized Remote Head SRH-3
The SRH-3 is a three-axis fully stabilized remote head allowing for cameras to go where no person can with increased flexibility and ease. Whether it be on set, in a studio, or at an event, our new intelligent and adaptive Stabilized Remote Head SRH-3 has the full force of ARRI technology behind it. The Stabilized Remote Head SRH-3 fills a niche while offering top quality and performance.
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MAXIMA
The MAXIMA QL is a three axis electronically fully stabilized high performance gimbal. Its compact, lightweight design and perfect center of gravity provide new levels of freedom while its stable construction allows for compatibility with any camera system weighing 30 kg / 66 lb or less. Cameras like the Alexa LF, Alexa MINI, AMIRA, ARRI LT, 235, 416, any TV Box Camera, or cameras with similar dimensions as the the listed cameras can be used with the MAXIMA. Using the new SAM plates, ensures fast setup times and always the perfect COG of the camera. At the center of the unique design is an extremely durable ball bearing roll cage as well as specially designed brushless high torque motors ensure that there is always enough power in reserve, no matter how demanding the application.
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